Art History

Art History

March 6, 2024 @ 8:00 am 5:00 pm

February 16 – March 15, 2024

Opening Reception and Artists’ Talk: Friday, February 16, 12pm

VINCENNES, IN. – The Shircliff Gallery of Art at Vincennes University is proud to present In Blackest Shade, In Darkest Light, a traveling exhibition of seven Black American artists working in drawing.

Patrick Earl Hammie, Curator:

In Blackest Shade, In Darkest Light is an exhibition that centers around drawing as a technology from which artists speculate, recover, and collect communal histories, manifesting stories of desired futures from the margins of imagination into the realities of the everyday.

Drawing serves as an instant gateway for dreaming, recording, and sharing ideas. It moved from a mainly private practice to a form that asks questions as equally bold as other media. Today, artists utilize drawing as a method to hack into and build networks that engage across scholarship, art, and community.

The show’s title takes inspiration from DC’s Green Lantern Corps’ oath, “In brightest day, in blackest night, no evil shall escape my sight. Let those who worship evil’s might, beware my power, Green Lantern’s light,” from which members of the fictional space guardians access magical strength and gather the will to challenge adversaries using their imagination.

The artists in this exhibition revel in horror, Afro-futurism, magical realism, Ethno-gothic, fantasy, Black Quantum Futurism, utopias and dystopias, and superheroes. They draw from cultural aesthetics and philosophies of science and history to explore and improvise within set boundaries and beyond. Their work speculates toward un-fixing the physical, political, and social knowns and imagine otherwise how we will be and become.

Attached:

– Image: The Amazing Black-Man, 128, by Kumasi Barnett

– Image: Grace Jones, by Stacey Robinson

Art History

March 5, 2024 @ 8:00 am 5:00 pm

February 16 – March 15, 2024

Opening Reception and Artists’ Talk: Friday, February 16, 12pm

VINCENNES, IN. – The Shircliff Gallery of Art at Vincennes University is proud to present In Blackest Shade, In Darkest Light, a traveling exhibition of seven Black American artists working in drawing.

Patrick Earl Hammie, Curator:

In Blackest Shade, In Darkest Light is an exhibition that centers around drawing as a technology from which artists speculate, recover, and collect communal histories, manifesting stories of desired futures from the margins of imagination into the realities of the everyday.

Drawing serves as an instant gateway for dreaming, recording, and sharing ideas. It moved from a mainly private practice to a form that asks questions as equally bold as other media. Today, artists utilize drawing as a method to hack into and build networks that engage across scholarship, art, and community.

The show’s title takes inspiration from DC’s Green Lantern Corps’ oath, “In brightest day, in blackest night, no evil shall escape my sight. Let those who worship evil’s might, beware my power, Green Lantern’s light,” from which members of the fictional space guardians access magical strength and gather the will to challenge adversaries using their imagination.

The artists in this exhibition revel in horror, Afro-futurism, magical realism, Ethno-gothic, fantasy, Black Quantum Futurism, utopias and dystopias, and superheroes. They draw from cultural aesthetics and philosophies of science and history to explore and improvise within set boundaries and beyond. Their work speculates toward un-fixing the physical, political, and social knowns and imagine otherwise how we will be and become.

Attached:

– Image: The Amazing Black-Man, 128, by Kumasi Barnett

– Image: Grace Jones, by Stacey Robinson

Art History

March 4, 2024 @ 8:00 am 5:00 pm

February 16 – March 15, 2024

Opening Reception and Artists’ Talk: Friday, February 16, 12pm

VINCENNES, IN. – The Shircliff Gallery of Art at Vincennes University is proud to present In Blackest Shade, In Darkest Light, a traveling exhibition of seven Black American artists working in drawing.

Patrick Earl Hammie, Curator:

In Blackest Shade, In Darkest Light is an exhibition that centers around drawing as a technology from which artists speculate, recover, and collect communal histories, manifesting stories of desired futures from the margins of imagination into the realities of the everyday.

Drawing serves as an instant gateway for dreaming, recording, and sharing ideas. It moved from a mainly private practice to a form that asks questions as equally bold as other media. Today, artists utilize drawing as a method to hack into and build networks that engage across scholarship, art, and community.

The show’s title takes inspiration from DC’s Green Lantern Corps’ oath, “In brightest day, in blackest night, no evil shall escape my sight. Let those who worship evil’s might, beware my power, Green Lantern’s light,” from which members of the fictional space guardians access magical strength and gather the will to challenge adversaries using their imagination.

The artists in this exhibition revel in horror, Afro-futurism, magical realism, Ethno-gothic, fantasy, Black Quantum Futurism, utopias and dystopias, and superheroes. They draw from cultural aesthetics and philosophies of science and history to explore and improvise within set boundaries and beyond. Their work speculates toward un-fixing the physical, political, and social knowns and imagine otherwise how we will be and become.

Attached:

– Image: The Amazing Black-Man, 128, by Kumasi Barnett

– Image: Grace Jones, by Stacey Robinson

Art History

March 3, 2024 @ 8:00 am 5:00 pm

February 16 – March 15, 2024

Opening Reception and Artists’ Talk: Friday, February 16, 12pm

VINCENNES, IN. – The Shircliff Gallery of Art at Vincennes University is proud to present In Blackest Shade, In Darkest Light, a traveling exhibition of seven Black American artists working in drawing.

Patrick Earl Hammie, Curator:

In Blackest Shade, In Darkest Light is an exhibition that centers around drawing as a technology from which artists speculate, recover, and collect communal histories, manifesting stories of desired futures from the margins of imagination into the realities of the everyday.

Drawing serves as an instant gateway for dreaming, recording, and sharing ideas. It moved from a mainly private practice to a form that asks questions as equally bold as other media. Today, artists utilize drawing as a method to hack into and build networks that engage across scholarship, art, and community.

The show’s title takes inspiration from DC’s Green Lantern Corps’ oath, “In brightest day, in blackest night, no evil shall escape my sight. Let those who worship evil’s might, beware my power, Green Lantern’s light,” from which members of the fictional space guardians access magical strength and gather the will to challenge adversaries using their imagination.

The artists in this exhibition revel in horror, Afro-futurism, magical realism, Ethno-gothic, fantasy, Black Quantum Futurism, utopias and dystopias, and superheroes. They draw from cultural aesthetics and philosophies of science and history to explore and improvise within set boundaries and beyond. Their work speculates toward un-fixing the physical, political, and social knowns and imagine otherwise how we will be and become.

Attached:

– Image: The Amazing Black-Man, 128, by Kumasi Barnett

– Image: Grace Jones, by Stacey Robinson

Art History

February 16, 2024 @ 8:00 am 5:00 pm

February 16 – March 15, 2024

Opening Reception and Artists’ Talk: Friday, February 16, 12pm

VINCENNES, IN. – The Shircliff Gallery of Art at Vincennes University is proud to present In Blackest Shade, In Darkest Light, a traveling exhibition of seven Black American artists working in drawing.

Patrick Earl Hammie, Curator:

In Blackest Shade, In Darkest Light is an exhibition that centers around drawing as a technology from which artists speculate, recover, and collect communal histories, manifesting stories of desired futures from the margins of imagination into the realities of the everyday.

Drawing serves as an instant gateway for dreaming, recording, and sharing ideas. It moved from a mainly private practice to a form that asks questions as equally bold as other media. Today, artists utilize drawing as a method to hack into and build networks that engage across scholarship, art, and community.

The show’s title takes inspiration from DC’s Green Lantern Corps’ oath, “In brightest day, in blackest night, no evil shall escape my sight. Let those who worship evil’s might, beware my power, Green Lantern’s light,” from which members of the fictional space guardians access magical strength and gather the will to challenge adversaries using their imagination.

The artists in this exhibition revel in horror, Afro-futurism, magical realism, Ethno-gothic, fantasy, Black Quantum Futurism, utopias and dystopias, and superheroes. They draw from cultural aesthetics and philosophies of science and history to explore and improvise within set boundaries and beyond. Their work speculates toward un-fixing the physical, political, and social knowns and imagine otherwise how we will be and become.

Attached:

– Image: The Amazing Black-Man, 128, by Kumasi Barnett

– Image: Grace Jones, by Stacey Robinson

Art History

October 9, 2022 @ 1:00 pm 4:00 pm

“For hundreds of years, stained glass windows have illuminated churches, serving as decorative and informative artwork with scenes and motifs exploring religious subjects and themes. On October 9 from 1-4 p.m., six historic churches in Vincennes showcase this art form during the Stained Glass Sunday open house.

Participating churches include:

  • St. John’s Catholic Church, 803 Main Street
  • St. James Episcopal Church, 610 Perry Street
  • Basilica of St. Francis Xavier, 205 Church Street
  • Bethany Presbyterian Church, 702 N. 8th Street
  • First United Methodist Church, 411 N. 4th Street
  • New Life Holy Cathedral, 101 N. 5th Street

Sponsored by Indiana Landmarks and Vincennes/Knox Preservation Foundation.

Free with RSVP. Tourgoers may visit participating churches in any order. The sites featured are mostly accessible to all (two steps must be navigated to access the main hall from a side room at St. James Episcopal Church). Tour headquarters will be at St. James Episcopal Church, 610 Perry Street.

To gain an even deeper appreciation of stained glass artistry, attend a Stained Glass Talk on October 6 at Sacred Heart of Jesus Catholic Church, 2004 N. 2nd Street, Vincennes.

Make your reservation online using the form below, by visiting StainedGlassSunday22.eventbrite.com, or by calling 317-639-4534.”

Free

317-639-4534

610 Perry Street
Vincennes, Indiana 47591 United States
+ Google Map

Art History

October 6, 2022 @ 7:00 pm 8:00 pm

Learn about the artistry of stained glass and restoration techniques at a talk led by Jules Mominee of Evansville-based Mominee Studios. For over 40 years, Mominee Studios has created original works of stained glass for religious, commercial, and residential buildings, and restored hundreds of historic stained glass windows, including those at Vincennes’ Basilica of St. Francis Xavier. The talk precedes Stained Glass Sunday, an open house on October 9 showcasing the interiors of six Vincennes churches.

Sponsored by Indiana Landmarks and Vincennes/Knox Preservation Foundation.

Free with RSVP. Doors open at 6:30 p.m. at Sacred Heart of Jesus Catholic Church, which is accessible to all.

Make your reservation online using the form below, by visiting StainedGlassTalk22.eventbrite.com, or by calling 317-639-4534.

317-639-4534

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